We teachers don’t always know how to walk the line separating the pedagogical from the extra-pedagogical. Years ago, when I was fairly new to the job, I found myself in office hours listening to a student in some amount of pain. I gave her a hearing, brokered an accommodation, and sent her on her way. But as the day went on, I began to fret that I hadn’t done enough––that I could and should have been more encouraging, or at least told her I recognized the bravery that comes with asking for help. So I turned to friends for advice, and one memorably emailed to say “Therapy is 95% listening and 5% things you’re not qualified to do.” Their point was that, in doing no more than listening, it may well be that I’d done enough.
by Emma Lieber
In “Analysis Terminable and Interminable,” Freud famously claimed that psychoanalysis is one of the three “impossible professions”—the others being education and government. The recent political environment in America certainly gives us a lens onto the impossibility of the latter, and perhaps what “impossible” means in these contexts, though the high drama of the Trump administration may also obscure what’s at stake. What is the aporia—the irreducible, unassimilable gap—at the heart of these vocations? What are their desires and aims, and what within them challenges, not so much the achievement of those aims, but any conventional notion of what achievement means? In what way do these pursuits underscore what Lacan for one designates as the impossibility of desire? And how might recognizing the impossibility of these endeavors influence the aims and techniques of their practitioners?
by Kelli Fuery
Psychoanalysis and the field of cinema and media studies have shared a long, if turbulent, history. From the mid 1970s to the late 1980s, both Freudian and Lacanian approaches contributed to the method that became known as psychoanalytic film theory, serving as the cornerstone of cinematic apparatus theory as developed by Jean-Louis Baudry (1974) and Christian Metz (1974, 1982). Cinematic apparatus theory sought specifically to examine the interrelated structures of cinematic space, screen, and spectacle within the predominantly linguistic frame of Lacanian psychoanalysis. During the same period, psychoanalytic film theory expanded to include theories of spectatorship, feminist film theory (de Lauretis 1984, 1987; Doane, 1987, 1991; Mulvey 1975; Penley 1989), and cinematic textual analysis.
by H. N.
This article addresses sensitive political matters regarding the Hong Kong/mainland China relationship. The author has decided to not provide their full name or contact information to avoid running afoul of Beijing’s national security law for Hong Kong.
“Liberate Hong Kong, revolution of our time!” “Five demands, not one less!” “Corrupted cops, may your whole family die!” These chants of protestors penetrated me as I marched with a million peaceful demonstrators. I was initially hesitant to join in the cursing of the families of corrupted cops, wondering how spreading further hatred could be helpful at all. But the urgent cries for justice brought back images of police brutality; rage seemed to infiltrate and spur me, and I found myself, too, chanting fiercely the words of hatred: “Corrupted cops, may your whole family die!”
The United States has been engaged in the “Long War” of post-9/11 conflicts for eighteen years. If that war were a person, it might be getting ready to go to college. Indeed, many of the almost three million veterans who have served in the post-9/11 conflicts are also returning to college—though many may be significantly older than eighteen, as they now begin or continue their college educations.
Note: There are terrific posts by Kelli Fuery, Michael McAndrew, H.N., and others awaiting publication—please be on the lookout for them in the coming weeks and months. In the meantime, given our extraordinary present circumstances and—as educators, students, and clinicians—our need to adapt to them as we prepare for an uncertain new academic year, it seems important to jump the queue with this selected bibliography of resources—to which readers are welcome and encouraged to contribute in the “Comment” section.
Many of us will be spending the summer preparing to resume teaching in a world transformed, not only by Covid-19, but also by the revitalized struggle against systemic assaults on black bodies and minds. The psychic fallout of state-sponsored violence—including racially motivated police brutality and the extrajudicial murder of black men, women, and transgender folk—has scarcely begun to be calculated, much less adequately addressed, by the psychoanalytic community. How might those of us who teach psychoanalysis at the undergraduate level, or provide psychodynamic therapy to college students, do a better job of centering black lives—and matters of race even more broadly—in our classrooms and counseling facilities?
As a junior at the University of Pennsylvania, I study biology and chemistry, and I plan to pursue a medical degree after graduation. Throughout my education, I’ve been very STEM-focused, doing research in radiation oncology, tutoring for organic chemistry and physics, and so on. But a recent course on psychoanalysis helped me begin thinking in new ways about what I’m learning now and how I might someday practice medicine.
Entering a bustling shopping mall on the west side of Manhattan after a beautiful walk on the High Line, I was struck by the sight of a large, multicolored mural (by the artist Jamilla Okubo). It featured a woman looking into a mirror, but, instead of seeing her face, she saw the words: “When there is no enemy within, the enemy outside cannot hurt you.” I was surprised and fascinated to find, in the middle of a vast urban shopping mall, a message addressing the intimate life of the passerby as a psychological being rather than merely a consumer. For days afterward I thought about its message and about the ubiquity of such pop-psychological encouragements to think of oneself as a vessel carrying an “inner self”—a notion that still has a great deal of currency in mainstream psychological thought: the notion that this “inner self” is the principal source of our feelings, thoughts, and behaviors; the place where secret, internal enemies accumulate and thrive, threatening to harm us and daring us to conquer them.
Teaching Freud, for me, is always part of a larger project of teaching psychoanalysis. My inclination, perhaps informed by students’ impressions of Freud as a mere historical footnote, and psychoanalysis as a famous cadaver, has been to emphasize how fully alive Freud’s ideas are now, in our culture and in contemporary psychoanalysis. I offer an approach that honors Freud’s ideas by showing students not only how those ideas continue to influence us but also how other, more recent thinkers have helped transmit and transform them.
“I could have told you that,” said the student I’ll call “Jamila.”
In our course, “Introduction to Psychoanalysis: History, Theory, Practice” (the informal “core” course for the undergraduate minor in Psychoanalytic Studies at Penn), we were discussing the final pages of Avgi Saketopoulou’s wonderful essay, “Minding the Gap” (2011), about her rageful, wonderful, and gender-variant preadolescent African American patient, DeShawn—a child struggling mightily with her and even more profoundly with his own gender and racial identities. From DeShawn, Avgi comes to learn that “for black boys racial identification trumps gender anytime” (202). It was then that Jamila, one of our African American students, spoke up.